Специфіка емотивної лексики «Любовних елегій» Овідія

Abstract

У статті розкрито роль емоційної експресивної лексики в поетичному мовленні Овідія та визначено її індивідуально-авторське використання. У «Любовних елегіях» Овідій розвиває тему кохання в різних варіаціях. Естетизм чуттєво-витончених форм античного земного Еросу у «Любовних елегіях» має свою специфіку: у ранніх творах Овідія любов набуває характеру насолоди. Ерос поета грайливо-безпечний. Проте, прославляючи кохання як найвище благо, відстоюючи природне право всього живого на любов, концепція Еросу Овідія виражена емотивно-експресивно, не втрачає свого сенсу, вона актуальна в сучасності. В «Любовних елегіях» Овідія наявна емоційно- експресивна лексика, різноманітна за своїм лексико-семантичним складом. До складу емоційно-експресивної лексики відносяться слова, які вже у своєму значенні містять позитивну і негативну оцінку і називають відчуття, настрої, процеси (любов, краса, ласка, гра та інші).

The article reveals the role of emotional expressive vocabulary in poetry speech Ovid and its individual and author's use is determined. In "Love Elegy" Ovid develops the theme of love in various variations. Aestheticism of the sensuously elegant forms of the ancient earthly Eros in "Love Elegy" has its own peculiarity: in Ovid's early works, love acquires the character of pleasure. Eros of the poet is playfully safe. However, glorifying love as the highest good, defending the natural right of all living things to love, the concept of Eros Ovid is expressed emotionally and expressively, does not lose its meaning, it is relevant in modern times. In Ovid’s "Love Elegy" there is an emotional and expressive vocabulary, diverse in its lexical-semantic composition. The structure of emotionally-expressive vocabulary includes words that already in its meaning contain a positive and negative evaluation and call feelings, mood, processes (love, beauty, passion, game and others). Ovid’s "Amores" is an elegiac swasor. The poet convinces Korinna not to be covetous, or at least not to demand payment for the love of the poet, because he gives her immortality in verse. He speaks about this more than once. But this common theme for all Roman elegies in Ovid is transformed into an ironic contrast. For, praising Korinna, poetry adds new rivals to the poet. He teaches his girlfriend to deceive her husband, to bring a maid to her side, to deceive the guard - these are the common places of all the elegies. Elegy has developed series of situations related to love, rather with love in plural, and Ovid takes these situations as ready. The author's "I" is here on the equal rights with everyone. In fact, the direct-emotional in "Love Elegy" almost disappeared under the onslaught of the traditional one. But the generosity of talent of Ovid already in the early work is that all possible variations of traditional motifs, he exhausts to the end, capturing this variation of the reader. "Love Elegy" marry and end the tradition: the further development of the same themes became impossible, the development of the genre stopped. However, the loss of direct experience helped to identify the strongest aspects of Ovid’s talent: ingenuity, fantasy, ability to paint. And in the painting of details Ovid is inexhaustible. In the details of the themes, the motives the poet is unmatched. He draws the appropriate material from mythology, poetry, nature and everyday life and concentrates it around a love theme.